The "Corpus - Femina - Exedra" Trilogy

With the "Corpus – Femina – Exedra" Trilogy, the artist invites you into the mysterious terrain of Pareidolia, the brain's instinctive drive to find meaning in ambiguity. The artist hopes to evoke the viewer both by physicality and collective body of thought, reminding us that what we see is shaped as much by biology as by belief. As Carl Sagan once described, pareidolia is the "characteristic conceit of our species" - our evolutionary habit of projecting order onto chaos, however with chances of bias allowing misfiring to become a source of wonder.

The works stand in the lineage of da Vinci, Dalí, and Ernst, artists who used pareidolia to unlock the subconscious and provoke introspection. They not only reflect colour and form, but also the viewer's own neural architecture. The paintings become mirrors, revealing how deeply we are wired to connect, interpret, and imagine, even when the world offers only noise.

"Corpus – Femina – Exedra" is thus more than a visual experience. It is a cognitive experiment, a meditation on the tension between chaos and clarity, sparking conversations about art, psychology, and the fragile boundary between what is seen and what is believed. In this Trilogy, meaning is not given, it is discovered. It perfectly complements the conceptual "Artistic Reflection Framework" of the artist.

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